Australian writer Chloe Hooper will join the New Zealand Post Writers and Readers Week in March, following a year of plaudits and prizes. Her latest book, The Tall Man, is a non-fiction work as haunting as her debut novel, A Child’s Book of True Crime. James Robertson speaks with her about telling dark tales in two genres.

Chloe Hooper is a writer whose talent seems unbound by genre. The 36-year-old Australian has written two books, a novel and a work of non-fiction, and both have met with international critical acclaim. So which form does she prefer? ‘I like books where people are trapped in spooky houses and trying to escape,’ she laughs over the phone from Melbourne. ‘I think, psychologically speaking, we’re all trying to do that.’ You might guess as much from her work, which, in both genres, provides compelling insight into the darker side of human psychology.

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Victoria University’s remarkable New Zealand Electronic Text Centre has recently made a copy of a Novels and Novelists a 1930 collection of Katherine Mansfield’s collected reviews available on-line.

Here’s a taste of what’s on offer:

The Rescue — By Joseph Conrad

Reviewed by KATHERINE MANSFIELD

The writer who has achieved more than a common popularity, who has been recognized as one of the very few whose place is not in the crowded and jostled front rank but a delightful airy perch among the mountains, is to be envied—and not to be envied. The distinguished position has its special drawbacks. Whether it is the effect upon him of the rarefied air, or of the dignified solitude, or of the cloud interposing and obscuring the smaller eminences, the valleys and the plains from his, at one time, eager gaze, we do not know, but the books which come down to us from the mountains are no longer the books they were. They are variations upon the theme that made him famous; they are ‘safe’ books, guaranteed to leave unchallenged the masterpiece that put him there. Who would tempt Providence twice? And so from timidity or pride, from poverty of imagination, or a high sense of his ‘unique’ duty, he continues to repeat himself, and it is only his memory which is in our flowing cups richly remembered.

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by Greg Palast
In the sixth grade, the Boys’ Vice-Principal threatened to suspend me from school unless I stopped carrying around The Catcher in the Rye I think because it had the word “fuck” in it. Since the Boys’ Vice-Principal hadn’t read the book – and I don’t think he’d ever read any book – he couldn’t tell me why.

But Mrs. Gordon was cool. She let me keep the book at my desk and read it at recess as long as I kept a brown wrapper over the cover.

I think J.D. Salinger would have liked Mrs. Gordon. She wanted to save me from the world’s vice-principals, the guys who wanted to train you in obedience to idiots and introduce you the adult world of fear and punishment. Mrs. Gordon wanted to protect the need of a child to run free.

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Zone of the Marvellous by Martin Edmond

Auckland University Press 2009. Reviewed by PAULINE DAWSON

Martin Edmond’s Zone of the Marvellous is an amazing treasure box of fact, fiction, myth, history, fable and imagination in search of the antipodes. Helped on its way by a Copyright Licensing Writers’ Award won by the author in 2007, in eight discrete essays, the author writes that what he seeks “to do is describe how this other place was first rumoured, then imagined, then looked for, discovered, plundered, colonised and finally domesticated”.

Following the rather ’straight’, yet lyrical telling of the historical story in The Supply Party (Edmond’s last book), Zone of the Marvellous goes back to the densely packed stories and tangents found in Luca Antara. While Supply Party had strong undertones of loss and absence, Zone, although also telling tales of journeys, is much richer. Perhaps this is simply the contrast of the Australian outback to the tropics of the Pacific and the Asian spice routes.

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Steve Braunias encounters the madding crowd of a literary gig

I suppose it might’ve been hard on family and friends, but the thought occurred at the Buddle Findlay gala night launch of New Zealand Book Month in October that the nation’s cultural life would benefit greatly if a fire broke out in the handsome, high-ceilinged room of Auckland’s Hopetoun Alpha building, and incinerated everyone. The event was excruciating and strictly humourless, a damp little bonfire of the vanities – pretty much what I expected, except worse. Where’s an arsonist when you need one?

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The great historian Howard Zinn has died.

The author of A People’s History of the United States inspired historians around the world to look at history through the eyes of the down-trodden and not to be afraid to take a stand. In his book You Can’t be Neutral on a Moving Train he wrote: “From the start, my teaching was infused with my own history. I would try to be fair to other points of view, but I wanted more than ‘objectivity’; I wanted students to leave my classes not just better informed, but more prepared to relinquish the safety of silence, more prepared to speak up, to act against injustice wherever they saw it. This, of course, was a recipe for trouble.”

Over the next days, weeks and months screeds of obituaries and tributes will be written for Zinn – so here’s a taste of things to come.

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Laura Kroetsch picks out the best books to read in preparation for the New Zealand Post Writers and Readers Week in March

One of the odd preoccupations of my life has been an overwhelming desire to have those around me read what I’m reading. So, it is no surprise that I’ve found my way to managing New Zealand Post Writers and Readers Week, a splendid exercise in allowing one group of readers to select a bunch of books and their writers for another group of readers. For 2010 I think we’ve done a bang-up job, and as I read and re-read my way through the list, I smile, and then worry that our readers will miss something. So by way of preventing any near misses, here are some of my thoughts on what you might like to read to get ready.

Writers and Readers, like any good bookshelf, is a place to find familiar voices as well as some that are new and unexpected. A perhaps familiar voice is that of American novelist Susanna Moore. For those who don’t know her, I suggest you start with her first novel, the hauntingly beautiful My Old Sweetheart, a story about a little girl who loves her mother – a woman slowly succumbing to madness among the night jasmine on the island of Hawaii. Moore’s is a voice so filled with wisdom you ache for her characters and lament the landscape of her forgotten world. Once smitten, go on to Sleeping Beauties.

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Magpie Hall by Rachael King

Vintage, $35. Reviewed by KERRY TANKARD

I went to the Wellington book launch of Magpie Hall, and wasn’t disappointed; many friendly, talented people contributed to make it an awesome evening for Rachael, including the Brunette Mafia, her writing friends from VUW’s Institute of Modern Letters writing programme. Bill Manhire, the head of the programme, was present, along with a scattering of the Wellington litterati.

So, on to the book; a second novel often comes with a lot of baggage from the first one, especially in terms of readers expectations. This novel is no exception, and I expect, from the smattering of reviews in New Zealand that I’ve read, I’m not the only reviewer to have found the gothic novel form as appealing as the contemporary family narrative woven into this historical mystery.

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Golden Prospects: Chinese on the West Coast of New Zealand by Julia Bradshaw

Shantytown (West Coast Historical & Mechanical Society Inc.), 294 pp. $55. Reviewed by SIMON NATHAN

A large number of Chinese men emigrated to New Zealand during the gold rushes to Otago and the West Coast in the 1860s. Most came seeking to make money and return to their families in China. Some were successful, but many died unmarried, without descendants. Julia Bradshaw has undertaken a long-overdue project in researching the story of the Chinese on the West Coast. It was not an easy task as there are few people of Chinese descent living on the West Coast today. Their story has been largely overlooked. For example, in the article on the Chinese in New Zealand in Te Ara, the West Coast gets only a passing mention.

Most of the Chinese came from a small area in the Guandong Province. Life was difficult there in the 1860s, and young, single men were often chosen by their families to travel overseas and send money home. They were generally unwelcome on the goldfields, and often the subject of prejudice and ridicule. But the suspicion was not entirely one-sided. The Chinese made little attempt to fit in with local communities as they did not plan to stay any longer than necessary.

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Release

Just before New Year’s, the Kapiti Coast lost one of the most respected and loved members of the Paekakariki community: Jacquie Baxter, also known as recognised poet and short story writer JC Sturm.

This coming Friday 22 January at 2pm all are invited to a community memorial service and celebration of Jacquie Baxter’s life and writing at the Memorial Hall on The Parade, Paekakariki.

The service will include performances and readings from celebrated local poets and musicians including Glen Colquhoun, Hinemoana Baker, Apirana Taylor and Michael O’Leary. Attendees are asked to bring a flower towards the farewell, and a plate of food towards afternoon tea.

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